The Resurrected

Royal and Illustrious Brotherhood and Confraternity of Our Lord Resurrected and Holy Mary, Queen of Our Joy.

History

Documented since the late 16th century in the Parish of Santa Marina, throughout its history it experienced periods of splendor and decline until disappearing in the 19th century. It was rebuilt in 1927, becoming the brotherhood of the Santa Marina neighborhood.

Temple

Parish of Santa Marina de Aguas Santas. One of the fourteen royal foundations established by Ferdinand III after the Reconquest of the city in 1236. Possibly built over an earlier one, it was at this moment that it was restored and became the center of the neighborhood that would bear its name. Over time, historical events closely linked the neighborhood and the church itself to the world of bullfighting, as the great caliphs of bullfighting were baptized there.

The Images

Our Lord Resurrected

The image of Our Lord Resurrected is the work of the Sevillian sculptor Juan Manuel Miñarro López, created around 1988.
The Lord is depicted standing, with strongly defined anatomical features. He raises His right hand, while holding the “Triumphant Cross” in His left. His face, marked by an expression of pride, emphasizes His divinity. The treatment of the hair and beard is well executed. His pronounced and reddened cheekbones stand out.
Currently, the Lord processes accompanied by two Roman soldiers and an angel, all works by the Cordoban sculptor Antonio Bernal. The Roman soldiers appear terrified at the sight of the Risen Jesus, unable to believe what their eyes are seeing; they are portrayed wearing armor, short skirts, and helmets adorned with lush white plumes. The angel is the most recent addition, introduced during the 2006 penitential procession. He appears among the people, in front of the Lord, pointing to Him with both hands.

Holy Mary, Queen of Our Joy

The image of Our Lady of Joy is the work of the Cordoban sculptor Juan Martínez Cerrillo, created in 1951.
It is a dressed mannequin-style image, with only the hands and face carved. A face full of enthusiasm and joy. With elongated features, the dimple in her chin and the blush of her cheeks—free of tears in this case—stand out. Her gaze is lowered, with wide open eyes, slightly arched eyebrows, and a sharp nose among her distinct characteristics.
The image has undergone several restorations due to its condition, including one by its own creator, who altered the polychromy and facial features, and another by Miñarro in 1993 to restore its original polychromy.

Nazareno Habit

White tunic, ivory face cover, turquoise blue cincture, and white satin cape with blue lining for officers.

Notable Insignia

• Silver-plated alpaca Guiding Cross by José Jiménez (1992).
• Lanterns by Villareal (1994), as well as the trumpets, censers, and incense boats.
• Standard made of ivory velvet, embroidered in gold and silk by the Adoratrices Sisters, with an oil painting by Manuel Murillo López (1998).
• Book of Rules with embroidery by Francisco Pérez Artés based on a design by Rafael de Rueda (1992).