Patio de la Madama
If, in the case of the Patio de las Rejas, we mentioned that it was designed to be seen from the outside as a form of economic and social ostentation, the opposite is true for the Patio de la Madama: it was intended to be viewed from within, in privacy.
The name Patio de la Madama refers to the naiad of the fountain, who in Greek mythology was the nymph of fresh water. The use of such deities in garden design was very common in Roman times, which makes sense; but during the Renaissance, with the renewed taste for the classical, it came back into fashion.
Historical origin of the Patio de la Madama
To trace the origins of this courtyard, we must go back to the 18th century, when the fourth Marchioness of Villaseca, Doña Ana Rafaela Fernández de Mesa, undertook several important works in the palace. Among the most notable were the addition of this very courtyard and that of the Archivo. However, it was not until the early 20th century that the second Marquis of Viana, Don José Saavedra y Salamanca, decided to plant the magnificent circle of cypresses that surrounds the sculpture of the Madama, thus completing the ensemble.
Vegetation and aromas
As for its vegetation, in addition to the aforementioned circle of cypresses, we must highlight the four large and ancient boxwood spheres that frame the space, the mandarin trees, bougainvillea, pansies… and the sweet fragrance that emanates from the gardens covering the walls.
Architecture and layout
The layout of the Patio de la Madama is quadrangular, and the paving is made of flat bricks. The palace windows overlooking the courtyard belong to the Salón de Tobías on the ground floor and the Marchioness’s Bedroom on the upper floor.
As is typical in this building, shafts, columns, and other archaeological remains decorate the courtyard, giving it a unique charm and character. However, the architecture is very simple: two stories, the first featuring openings and windows, and above them, a continuous corner balcony accessed through four doors. The woodwork is painted in the beautiful blue that characterizes the entire palace.
🌸 Blooming calendar
| Species | Jan. | Feb. | Mar. | Apr. | May | Jun. | Jul. | Aug. | Sep. | Oct. | Nov. | Dec. |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Mandarin Tree | ● | ● | ● | ● | ● | ● | ● | |||||
| Violet | ● | ● | ● | ● | ● | |||||||
| Pansy | ● | ● | ● | |||||||||
| Bougainvillea | ● | ● | ● | ● | ● | ● | ● | |||||
| Calla Lily | ● | ● | ● | |||||||||
| Senecio petasite | ● | ● | ||||||||||
| Jasmine | ● | ● | ● | ● | ● | ● | ● | ● | ● | ● | ● | ● |
Visiting the Patio de la Madama
If you’re wondering what to do in Córdoba, we recommend visiting the Palacio de Viana by booking one of our guided tours. There, we dedicate a special chapter to the Patio de la Madama. Choose quality tourism with qualified staff—don’t hesitate, ArtenCórdoba is the best option.
Text: J.A.S.C.
The Patio de la Madama is conceived as an intimate and secluded space, designed to be contemplated from the inside, in contrast to patios like the one of the Rejas, which aimed to showcase wealth outward.
The name refers to the central sculpture of the patio, a naiad or nymph of fresh water, a figure inspired by Greek mythology and widely used in gardening both in classical Rome and during the Renaissance.
The circle of cypresses surrounding the fountain stands out, along with four large boxwood balls, as well as mandarins, bougainvilleas, pansies, violets, and other species that bring color and fragrance according to the season.
It was incorporated into the Palacio de Viana in the 18th century by the Marchioness of Villaseca and completed in the 20th century with the planting of cypresses by the second Marquis of Viana, serving as an example of landscape evolution and classical taste.
Of rectangular layout and flat brick pavement, the patio is structured in two levels with archaeological elements, a continuous balcony, windows from the Salón de Tobías and the Bedroom of the Marchioness, all with blue-painted carpentry.
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