Church of San Lorenzo: Altars and Chapels.
We begin the analysis of the movable assets of the Church of San Lorenzo on the gospel side, where the Altar of Our Lady of Remedies stands out first. The altarpiece, made of gilded wood, is composed of two tiers and a single section, featuring the use of Solomonic columns with Corinthian capitals, as well as a continuous and broken frieze decorated with garlands and fruits. In the central niche is the image that gives the altar its name, and above it, a sculpture of Saint Ferdinand.
This section features two 17th-century paintings, the first being a Martyrdom of Saint Lawrence
The Altar of Our Lady of Remedies stands out for its gilded wooden altarpiece, which consists of two bodies and a single street, with Salomonical columns, Corinthian capitals and a frieze decorated with garlands and fruits. In the central niche is the image of the Virgin, accompanied by a sculpture of Saint Ferdinand.
The Altar of Our Lady of Remedies is composed of Salomonical columns, a broken frieze decorated with garlands and fruits, and a central image of the Virgin accompanied by a sculpture of Saint Ferdinand, highlighting the ornamental richness of its altarpiece.
The 17th-century paintings, such as the Martyrdom of Saint Lawrence, are fundamental on the gospel side of the Church of San Lorenzo, as they provide historical and artistic value, reflecting religious scenes that enrich the decoration of the temple.
The painting 'Martyrdom of Saint Lawrence' represents the dramatic scene of the martyrdom of the saint, a work that highlights religious devotion and the artistic style of the 17th century, positioning itself as one of the prominent elements on the gospel side of the church.
The altarpiece of the Altar of Our Lady of Remedies follows a Baroque style, with ornamental elements such as Salomonical columns and broken friezes, merging decorative richness with religious symbolism, typical of sacred art of the 17th century.
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